Painting of Earth with white, blue, and brown colors, showing continents and oceans, set against a black background.

Your Mom #1, 2026, Acrylic on Linen, 33” x 33”

Outdoor scene at dusk with a wooden sculpture on a platform and a controlled fire burning nearby, surrounded by trees.

Grayson Cox and Bradford Devins, “Pyre”, 2026, 6 Minute HD video being shown on a monitor in Split Level

I recently collaborated with artist and filmmaker Bradford Devins on "Pyre", a new 6 min. video work produced at The Clearing in the Hudson Valley in spring twenty twenty-six. The project continues my interest in collaboration, site, and the construction of situations as a way of generating new work. I'm also showing my earth painting "Your Mom Number One" in "Split Level", a group exhibition on Madison Avenue in New York City, which brings the painting into dialogue with a larger group of artists working across the 27,000 square foot site.

Also open until November 22nd VVVVVVVVVVVVVVVVVVVVV

Event poster for an exhibition titled '260 MADISON' featuring the date range September 24 to November 22, 2026, with an opening reception on September 24 from 6 to 10 pm, curated by Shaina Tabak and Demonlovers Inc. The background shows an unfinished industrial space with exposed pipes and a woman resting her head on a desk with a computer and bookstore near her.
A painting depicting numerous hands reaching towards a figure lying in a glass box, with a stormy landscape and cloudy sky in the background.

FOR IMMEDIATE RELEASE

260 Madison is an artist-run exhibition occupying a crevice in the machinery of Midtown

Manhattan: a vacant Duane Reade storefront and the entire 23,000-square-foot former

office floor above. Working across sculpture, new media, and video, more than fifty artists

intervene in a site shaped by the spatial condition Rem Koolhaas diagnosed as Junkspace.

On the lower level, art takes the place of discount makeup and off-brand painkillers, set

against toxic-green paint and under surviving lightboxes reading “WHAT I NEED NOW” and

“HOW I LOOK,” echoing the propaganda revealed by the sunglasses in John Carpenter’s

They Live.

To access the upper floor, security escorts visitors through the storefront to the 14th

level—a post-cubicle necropolis marooned amid the nine-to-five racket of fully operative

office towers. Exposed HVAC, ripped-out toilets, and corporate-logo wallpaper house art

that examines the systems organizing contemporary life—from control, surveillance, AI,

and extraction to the material and architectural structures that shape how we work, move,

and live. Across the floor, familiar materials, objects, and technologies are dismantled,

reconstructed, or made strange, while social-media interfaces dice human life into users,

consumers, gig workers, and data. Against these systems of control remain spirituality, the

body, and animal instinct. 260 Madison holds two scenarios in tension: systems becoming

autonomous from human life, and life stubbornly hacking and breaking these systems in a

relentless act of love and self-preservation.

PARTICIPATING ARTISTS

Adam Basanta • Alisa Berger • Alison Nguyen • angelicism01 • Anthony Discenza •

Baris Cavusoglu • Ben Gould • Ben Shirken • Brian Oakes • Cato Ouyang • Char

Jeré • Chris Crary • Clare Koury • Dahlia Bloomstone • Dana Dawud • David

Humphrey • DemonLovers Inc • Dexter Barker-Glenn • Eva & Franco Mattes •

Eugene Jung • Grayson Cox • Greg Carideo • Gregory Kalliche • Ivana Dama •

Jennifer Coates • John Dillard • Jon Kessler • Josh Kline • Kari Cholnoky • Kristin

Walsh • Kylie Mitchell • Leigh Ledare • Liz Magic Laser • Luke Murphy • Magdalena

Petroni • Matt Mullican • Maya Man • Miguel Gallego • Michael Candy • Michelle

Segre • Miles Scharff • Rachel Rossin • Ruba Al-Sweel • Ryan Decker • S.A. Mayer •

Sarah Holloway • Sasha Fishman • Shaina Tabak • Simon Denny • Soomin Kang •

Sophie Jung • Theresa Tomi Faison • Thomas Liu Le Lann • Yasue Maetake •

Yehwan Song • Zarina Nares


Push The Envelope
Dec
12
to Jan 24

Push The Envelope

Push The Envelope
December 13, 2025 - January 24, 2026 

Opening: Friday December 12, 6-8pm
 

Juan Pablo Baene, Mildred Beltre, Louise Bourgeois, Becky Brown, Peter Cavanaugh, Dawn Cerny, Angela Conant, Grayson Cox, Jesse Durost, Julia Dzwonkoski, Matthew Farrell, Joey Kotting, Alison Owen, Sarah Nicole Phillips, Kiki Smith, Janis Stemmerman, Alexander Waxman, Bryan Zanisnik

Curated by E for Effort (Beka Goedde and Rachel Ostrow)


RUTHANN Gallery
453 Main St, Catskill, NY 12414
Open Saturdays 1-5pm or by appointment
ruthanngallery@gmail.com

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To The Touch, Ely Center of Contemporary Art, New Haven, CT
Nov
10
to Jan 5

To The Touch, Ely Center of Contemporary Art, New Haven, CT

Immerse all your senses in an exhibition that brings together twelve artists who create high and low-tech interactive works that encourage participation, cooperation, and empathy. In this multisensory show, viewers are invited to engage directly and physically with the artwork in novel and surprising ways.

Listen to invasive insects, conjure memories around a musical tea table, discern a secret message, draw collaboratively, feel braille-like beaded rivers, configure touch screen sound patterns, inhabit a parallel world, smell a fragrant bouquet of earth, gun powder, and garlic, or rub a text drawing of affirmation. As a group, these works provide a fresh way to experience art that recalls the friendly, non-competitive, team-building spirit of the 1970s "New Games” movement while also incorporating subversive strategies to reflect on current global environmental, political, and cultural concerns. The show also aims to welcome and empower those with sensory and other challenges by offering new ways to experience art. To The Touch invites the viewer to be directly involved in the artist experience and helps us break down the barrier between observation and action.

Opening Reception: Sunday, November 10, 1-3pm

Regan Avery
Marsha Borden
Melanie Carr
Grayson Cox
Leila Daw
JLS Gangwisch
Gregory P. Garvey
Beth Klingher
Yin Mei
Dana Prieto
Ben Quesnel
Cate Solari

Curated by Deborah Hesse

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